In 2002 Michael Farkas walked into a bar in the old Five-Points district of lower Manhattan. Sitting in the corner was Parrish Ellis with a guitar. Michael pulled out a harmonica and 24 hours later at the old CGGB's (RIP), a band was born. They soon enlisted Joseph “Joebass” Dejarnette on dog house bass and later Teddy Weber on everything else. They took their name from an old Irish street gang that roamed the Five Points (The Why’os, circa more... 1890).
In the beginning, The Wiyos built an audience the old fashioned way, by touring from town to town. If they couldn’t get a gig they played on the street, often rallying large crowds and even the law. On their first outing the band drove south in a dilapidated school bus. After numerous breakdowns and two fires, one of which nearly ended the inaugural tour for the entire band, they finally arrived in New Orleans where they cut their teeth busking on the streets for many weeks.
While the early Wiyos' masterfully embodied the performance styles of the 1920's and 1930's, they approached touring life with the attitude of the rock and punk music they grew up with. They threw down through polished sets at strip clubs, bar gigs, parties, street fairs, coffee houses and side show tents. They were known for crashing booking conferences, rather than applying for official showcases, playing in the halls and in hotel lobbies. From 2003 to 2008 their shows (over 200/year) were entirely acoustic, typically gathered around one mic. Their reputation for “taking the room” made them darlings of the folk circuit, a must see act, and landed the band tours in England, the South of France, Holland, and Sweden .
The buzz of these high paced Vaudeville-esque performances reached its zenith in 2009 when they were featured in the BBC television documentary, “Folk America – Hollerers, Stompers and Old-Time Ramblers”. Later that same year, Bob Dylan hand picked the band to be the openers for his 28 date minor league baseball stadium summer tour with Willie Nelson and John Mellencamp.
While it was their mastery of vintage acoustic performances that drew the attention of many in the folk music scene, by late 2008 The Wiyos had begun work on Broken Land Bell, a contemporary studio production with half the band plugged in and guest beat boxer Adam Matta laying rock and trip-hop beats under syncopated swing and New Orleans based rhythms. The record was recorded entirely in 808a, the bands Brooklyn studio and crash pad. By July of 2009, with Broken Land Bell buzzing on the Americana charts, The Wiyos hit the road with The Bob Dylan show, laying down opening set after set of grungy harp, crazed steel guitar, rockabilly bass, human beat box and three-part harmonies. The band perched in front of Willie Nelsons' backline while tens of thousands of people watched in bewilderment. Michael often began each set as a mime in the crowd, once even breaking into the off-limits baseball diamond to hurl a pitch. Security and local police, oblivious to the fact that he was one of the performers, chased him Keystone Cop style through the stands.
In 2010, tired of the instability of road life, Parrish and Joebass left the band. Michael and Teddy regrouped with bassist Sauerkraut Seth Travins. The trio holed up in the Hudson Valley, NY for numerous months, only emerging for the occasional short tour. They released one EP, Foxtrots, Polkas And A Waltz. Teddy and Michael, inspired by a recent run as the pit band to a modern dance production of "The Wiyos of Oz" at Wichita State in Kansas, began fleshing out the concept of a new album. The band commenced work at Old Soul Studios in Catskill, NY in the fall of 2010. Adam Matta joined in for the early sessions. Later Kenny Siegal and Brian Geltner of Johnny Society joined the recording and are now members of the touring band. The new album, loosely based on Frank Baums, The Wizard of Oz, is slated to be released in the fall/winter of 2011/2012.
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