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Music Dealers Press: Eric Sheinkop Ad Placement Panel - Key Takeaways

@Music & Advertising: 5 Tips To Drive More Sales With Ad Placements

For full coverage of the Music & Advertising Conference 2010, visit Billboard.biz/manyc.

Managers and publishers shared their thoughts on connecting artists to a larger audience at “Taking It To the Next Level: Using Ad Placement to Drive Sales,” a panel at the Billboard Music & Advertising Conference on June 15.

Representatives from Glassnote Records, Zeitgeist Artist Management, Whitesmith Entertainment, Cherry Lane Music and Music Dealers discussed how a music synch can help drive sales, and what mistakes to avoid when licensing a song.

Below are some key takeaways for helping a synch reach its fullest potential.

1. Rely on data collection in order to reach casual music fans as well as the diehards. “You have to treat yourself as a brand,” said Music Dealers president Eric Sheinkop. “It’s just as important to do your own test marketing and research.”

2. For a television ad, push for a visual credit in the agreement with a company, so that unfamiliar viewers know what song they’re listening to.

3. Make sure the product that the song is being linked to coincides with the artist’s music and message.

4. Don’t have an artist give away their song for free on iTunes – otherwise, you’re not providing a client anything of value.

5. Although free syncs are occasionally helpful, try to avoid them, or at least receive a credit in the ad for the song. “Just don’t give it out for free, try to get something for it,” said Sheinkop.

By Jason Lipshutz, N.Y. - SOURCE

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Music Dealers Press: McDonald's, Pepsi, Coca-Cola Troll for Up-and-Coming Artists

Marketers Change Music Model of Going After Established Talent, Saving Money, Giving Halo of Discovery to Brands

NEW YORK (AdAge.com) -- Seven years ago, McDonald's tapped Justin Timberlake in a multimillion-dollar deal to launch "I'm Lovin' it." Now the marketer and a bevy of other brands such as Coca-Cola are bypassing the big stars -- and in some cases the record labels -- to become incubators for tomorrow's superstars.

The fast-food chain is the launch sponsor for Artists & Brands, a music-media agency that aligns up-and-coming artists with campaigns that suit their style, a far cry from the marketer's earlier practices of shelling out big bucks for jingles on spec. In the new model, artists get exposure, while marketers save on fees and get cool points for introducing people to new music.

Above: IB Fokuz, who was discovered by Artists & Brands, has appeared in McDonald's commercials.

"In the prehistoric days, like when I started in advertising, you used to say 'I wish I could have' -- name a big-time band -- and then you'd negotiate a lot of money to get them," said Marlena Peleo-Lazar, chief creative officer, McDonalds's USA. "But so much has changed with the music industry, technology and the internet, you certainly still can go and get Sting if you're so inclined -- and have a blank check."

"If you can find new talent instead of renting existing talent, there will be an association with the product, and that's what I think McDonald's is trying to get at," said Ira Antelis, co-CEO of Artists & Brands. He cited "Grey's Anatomy" and the band the Fray as an example of a lasting association, as well as Old Navy, which featured Ingrid Michaelson's song "The Way I Am" in a sweater commercial.

At Artists & Brands, Mr. Antelis is partnering with Rodney Jerkins, a legendary music producer, and Daryl Jones, a top music attorney.

McDonald's isn't alone. Frank Cooper, chief consumer-engagement officer at PepsiCo Americas Beverages, pointed to Green Label Sound, a platform for independent artists that quietly promotes Mtn Dew, as an example of how brands will shape the music industry.

"You'll see through Green Label Sound the rethinking of ownership of music, a rethinking of how to monetize it, how to build the brand of an artist," he said. "And I think you'll see where it's coming from artists, managers, record labels and alternative methods of funding -- and brands will play an incredibly critical part in that."

Music Dealers

Eric Sheinkop, president of Chicago-based Music Dealers, a business-to-business music-licensing noted a sharp increase in demand in the last two years, as his staff has grown to 30 people from three. Music Dealers opened a New York office last month, and has a London location opening in September.

Music Dealers works with clients such as Maxwell House, Corona and GMC to find the perfect song for campaigns. The company works from a database with thousands of songs by independent artists that have been prescreened and approved, often turning requests around in a day. Artists working on spec once took weeks or even months.

Mr. Sheinkop, who quit the music management business two years ago to focus on licensing, said one benefit of working with up-and-comers is that "artists are going to be so proud to be attached that they'll push it for you," he said.

But don't count the labels out yet. Coca-Cola made a big splash with little-known artist K'naan last month. K'naan's song "Wavin' Flag," with the lyrics rewritten for marketability, is the centerpiece of its global World Cup campaign. Released last month, it's already No. 1 in China, Mexico and Germany. Coke signed K'naan to make appearances on some stops of its World Cup tour, leading up to the tournament. He'll also be making appearances in South Africa.

But K'naan was already signed to Universal when Coke linked up with him. Joe Belliotti, director-global entertainment marketing at the Coca-Cola Co. stressed that the label has been a big asset in organizing every facet of the campaign and tour. "The music industry is going through an evolution, but there's still really a necessity for record companies," Mr. Belliotti said. "It might look like their role is changing," he said, but "it's got to be a collaborative process, really leveraging the power of each."

Coke owns a portion of the "Wavin' Flag" royalties, and all proceeds will be donated to provide water for schools in Africa.

Some marketers see potential to monetize these endeavors. While underscoring that it's not Pepsi's primary mission, Mr. Cooper said: "There's absolutely an opportunity for us to generate revenue around some of the content and experiences we're creating in entertainment."

By Emily Bryson York -- Source

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Music Dealers Press: Name That Tune: But Can You Name the Artist?

In the December edition of MarketSquare: The deconstruction of the album and what it means for artists and brands.

CHICAGO, Nov. 30 /PRNewswire/ -- Leo Burnett's December edition of MarketSquare will be broadcast at 9 am CST on Monday, December 3rd. The show can be heard live on http://www.webmasterradio.fm/ and via podcast.

Marc Landsberg, global corporate strategist at Leo Burnett and president of Arc Worldwide, moderates a discussion with:

-- Jorgen Larsen, former chairman and CEO of Universal Music International and chairman of iLoop Mobile;

-- GLC, a hip-hop artist with a positive message who tours with Kanye West;

-- Matt MacKelkan, an independent artist getting fame up and down the East Coast;

-- Part-time Leo Burnett music producer Eric Sheinkop, who at 25 has already launched his own music company, Bandit Productions.


Click on the full 60-minute program or minute-long snippets to hear insights on:

1. The deconstruction of the album
2. Why it's cool for artists to sell out
3. Radiohead: giving away the online store
4. Exposure vs. economics
5. Music on social networks


About Leo Burnett Worldwide

Leo Burnett Worldwide, comprising the Leo Burnett brand agency and marketing partner Arc Worldwide, is one of the world's largest agency networks and a subsidiary of Publicis Groupe (http://www.publicisgroupe.com/), the world's fourth-largest communications company.

With this approach, LBW ensures that people who buy into client brands believe in them all the more. With expertise in mass advertising and digital, promotional and retail marketing, LBW partners with blue-chip clients such as The Coca-Cola Company, Diageo, McDonald's and Procter & Gamble. The company has won more advertising awards for campaign effectiveness than any other agency in the last six years in the U.S., has been heralded as a "pioneer on the frontier of marketing", and continues to be ranked as one of the world's top five creatively awarded networks worldwide.

Source: http://www.paulkorda.com/news/2007/11/name-that-tune-but-can-you-name-artist.html

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Music Dealers Press: Music Commission News


NM Musicians Interested in Film/TV

posted Oct 17, 2009

Introducing Music Dealers:

Attention New Mexico Musicians. If you're interested in working in the film and television industries, Music Dealers, LLC is an online global music licensing service. By aligning with Music Dealers, artists will now gain a world of opportunities to have their music placed in film, television, video games, and advertisements for some of the industries largest and most respected companies and brands. Music Dealers prides itself on establishing relationships with some of the best independent and award-winning artists, in every genre imaginable, from around the globe.

For NM artists, Music Dealers is more than a simple vessel through which placements can be secured. It would also act as a tool to enable artists to gain valuable exposure and fair compensation for their original work. Music Dealers is at the forefront of championing the movement that bridges the gap between independent artists and corporate licensors. Music Dealers recognizes and embraces technological advances in the music industry and utilizes many of the tools in this new “Digital Age” to help further promote their member’s music.

Music Dealers offers its artist community a level of personal service that is unparalleled in the industry. Each one of their members is assigned a representative with whom they can contact with any question, concern, and/or comment at anytime. This type of personal service is propelling Music Dealers far ahead of other licensing companies who are more concerned with “quantity over quality”, leaving artists as nothing more than a catalog number.

By joining Music Dealers, artists would give themselves the chance to see their music provide another stream of revenue while also opening the door to obtaining greater exposure within the corporate and entertainment world.

Source: http://www.newmexicomusic.org/news.php?select=1003

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